Synopsis
Saranga Dhariya is a film with its heart in the right place, shedding light on several social issues that warrant discussion. It is a bold and complex family drama that blends reality and cinema into a potent mix.
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Sarangadhariya Movie Review : A bold social commentary wrapped in a family drama
Critic's Rating: 2.5/5
Story: The story revolves around Krishna Kumar (Raja Raveendar), a dedicated lecturer, who, alongside his supportive wife Lakshmi (Neela Priya) and their three children, Anupama (Yashaswini Srinivas), Arjun (Moin Mohammad), and Sai (Mohit Pedada), endeavours to lead a respectable life at their humble abode, Sri Mahalakshmi Nilayam, in Vizag. But when life throws curveballs and the family faces judgement from society, will they survive to live their dreams?
Review: Saranga Dhariya, directed by Padmarao Abbisetti, attempts to break several stereotypes and serves as a potent social commentary. The film tastefully establishes all its main characters and starts on an interesting note, laying a solid foundation for the unfolding drama. Abbisetti addresses several social stigmas and evils, portraying how the family falls prey to public scrutiny on matters ranging from caste and religion to gender.
Raja Raveendar delivers a compelling performance as Krishna Kumar, portraying a strong, anchoring character determined to resolve the family's problems and silence the cacophony of societal judgement. Despite minor lapses in judgement, his progressive approach makes him a beacon of hope in a society eager to cast stones. Yashaswini Srinivas shines as Anupama, bringing depth to her complex character and serving as a rallying point in the film. The audience will empathise with her and root for her success. Moin Mohammad as Arjun and Mohit Pedada as Sai add complexity to the family dynamics. Supporting roles by Madhu Latha as Fathima, Shivakumar Ramachandravarapu as Raj, Neela Priya Devlapallu as Lakshmi, Srikanth Iyengar as Batley, and Harsha Vardhan as Murthy are decently executed.
The film is presented in a heartwarming manner, both visually and emotionally stirring, with impressive work from music director Ebernezer Paul and cinematographer Siddarth Swaymbhoo.
The Achilles' heel of the film lies in its ambition to tackle multiple issues and break numerous stereotypes. While the director's intention to address valid societal issues is commendable, the narrative sometimes feels overwhelmed, as if the entire world is against the family. A more focused approach on fewer issues might have resulted in a tighter, more engaging storyline.
Nevertheless, Saranga Dhariya is a film with its heart in the right place, shedding light on several social issues that warrant discussion. It is a bold and complex family drama that blends reality and cinema into a potent mix. All's well that ends well.
Review: Saranga Dhariya, directed by Padmarao Abbisetti, attempts to break several stereotypes and serves as a potent social commentary. The film tastefully establishes all its main characters and starts on an interesting note, laying a solid foundation for the unfolding drama. Abbisetti addresses several social stigmas and evils, portraying how the family falls prey to public scrutiny on matters ranging from caste and religion to gender.
Raja Raveendar delivers a compelling performance as Krishna Kumar, portraying a strong, anchoring character determined to resolve the family's problems and silence the cacophony of societal judgement. Despite minor lapses in judgement, his progressive approach makes him a beacon of hope in a society eager to cast stones. Yashaswini Srinivas shines as Anupama, bringing depth to her complex character and serving as a rallying point in the film. The audience will empathise with her and root for her success. Moin Mohammad as Arjun and Mohit Pedada as Sai add complexity to the family dynamics. Supporting roles by Madhu Latha as Fathima, Shivakumar Ramachandravarapu as Raj, Neela Priya Devlapallu as Lakshmi, Srikanth Iyengar as Batley, and Harsha Vardhan as Murthy are decently executed.
The film is presented in a heartwarming manner, both visually and emotionally stirring, with impressive work from music director Ebernezer Paul and cinematographer Siddarth Swaymbhoo.
The Achilles' heel of the film lies in its ambition to tackle multiple issues and break numerous stereotypes. While the director's intention to address valid societal issues is commendable, the narrative sometimes feels overwhelmed, as if the entire world is against the family. A more focused approach on fewer issues might have resulted in a tighter, more engaging storyline.
Nevertheless, Saranga Dhariya is a film with its heart in the right place, shedding light on several social issues that warrant discussion. It is a bold and complex family drama that blends reality and cinema into a potent mix. All's well that ends well.
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